Belong

- Title is generalized (doesnt actually state the name of the museum): this creates a sense of personal detachment from the museum which reinforces Skryzneckis apathy towards the place. This could also be double entendre/pun with the reference to folk possibly meaning his ancestors.

- The references to evil personify it as a pervasive, harmful entity - to use a cliché, his past is coming back to haunt him.

- Skryznecki denies his past, believing it is irrelevant. This is couple with the fact that the imagery of the museum is particularly tedious and monotonous [e.g. lean of artifacts (box iron, hay knife) bores the responder].

- The motif of colour imagery contrasts the dullness of the museum (grey stiff bottle) with the aesthetically pleasing nature of the Autumn Street away (yellow, brown). This works as a form of classic symbolisation/juxtaposition of black/white, light/dark, good/evil, life/ demise etc. The museum resembles the past, devoid of liveliness and possibly while out of doors beyond the museum portrays the hope of the future.





- The imperfect cadence in the lowest line Would you please sign the Visitors Book? reveals two ideas closely Petes belonging status. (1) Due to immigration he is now a visitor in Poland and Australia - cultural purgatory. (2) The act of signing representation he will acknowledge his past, accept his culture and touch some sense of belonging to a culture.

- The alliteration in the final stanza is that of a soft, consonantal w sound. It is used to reflect Petes hiatus in leaving the museum which implies Pete is moving on from his Polish hereditary pattern and looking for new entities to belong.If you want to get a replete(p) essay, order it on our website: Orderessay



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